Printables
Hiragana Practice Sheet
Stroke-order practice grid for the hiragana syllabary.
Short answer
A stroke-order grid for the full hiragana syllabary: each character once at full size, then as faint guides to trace, then blank squares. Stroke order is what makes handwriting recognition work.

What is on the sheet
A stroke-order practice grid for the full hiragana syllabary. Each character is shown once at full size with its stroke sequence, then repeated as faint guides to trace, followed by empty squares to write unaided.

Why stroke order matters
It is not arbitrary formality. Stroke order governs the shape a character takes when written quickly, and handwriting recognition on phones and tablets is trained on the standard sequence — write a character in the wrong order and recognition accuracy drops noticeably even when the finished shape looks correct.
How to use it
Work one consonant row at a time rather than the whole sheet in a sitting. Tracing fixes direction and sequence in a way that reading never does, which is why the grid alternates guided and unguided squares.
Why the order matters more than it appears to
Stroke order is not etiquette. It determines the shape a character takes when written at speed, because each stroke ends where the next begins and the connecting movement leaves its trace in the line — which is why fast handwriting in the correct order stays legible and fast handwriting in the wrong order does not. It also matters mechanically: handwriting recognition on phones and tablets is trained on the standard sequence and reads direction and timing as well as the finished outline, so a character written out of order is often rejected even when it looks right on the page.
Working through it usefully
A row at a time is more effective than a sheet at a time, and the rows are ordered by consonant for exactly that reason: the characters within a row share a shape family, so the differences you are learning are small and directly adjacent. The grid alternates traced and unaided squares deliberately. Tracing fixes direction and sequence; writing unaided is what tests whether either stuck. Doing all the tracing first and all the writing afterwards defeats the design, because by then you are copying a remembered shape rather than a remembered movement.